2019年2月3日日曜日

BURROUGHS WITH MUSIC (92) Dubblestandart/MARIJUANA DREAMS-その2

引き続き

Dubblestandart/MARIJUANA DREAMS [Collision : Cause of Chapter 3] release 2010


Cover Art Work : D:NORM

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William S. Burroughs (vo), Dubblestandart (music)
06. The Saints Go Marchin' through All the Popular Tunes 

from The Saints Go Marching through All the Popular Tunes (rec. Early 1960's) IN : William S. Burroughs/NOTHING HERE NOW BUT THE RECORDINGS

also The Saints Go Marching through All the Popular Tunes (rec. Early 1960's) IN : THE BEST OF WILLIAM BURROUGHS : CD4-06

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Burroughsの朗読は、sound collage作品であるNOTHING HERE NOW BUT THE RECORDINGSから。

元ネタがsound collage的な作品なので、dubに乗せて散らすには最適。バラバラにされても元ネタの魅力が損なわれることも全くない。

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ここで引用する『THE TICKET THAT EXPLODED(爆発した切符)』および『NOVA EXPRESS(ノヴァ急報)』の版は以下の通り。

・William S. Burroughs (1987) THE TICKET THAT EXPLODED. 217pp. Grove Weidenfeld, New York.
← 初出 : (1962) Olympia Press, Paris.
・William S. Burroughs (2014) NOVA EXPRESS (Penguin Modern Classics). lv+254pp. Penguin Books, London.
← 初出 : (1964) Grove Press, NYC.

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The saints go marching through all the popular tunes waiting for the sunrise in cosmic laughter of cable cars -- the Sheik of Araby in constant motion -- Blue moon -- Margie -- ice cream on my knees -- Love floating in perilous tracks --

from THE TICKET THAT EXPLODED, p.47.

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Nothing here now but the recordings may not refuse vision in setting forth -- Silence -- Don't < -- omitted -- >

from NOVA EXPRESS, p.190.

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'Twas good bye on the line of Bradly’s naked body -- love skin on a bicycle built for two -- like a deflated balloon -- Your cool hands on his naked dollars, baby --

from THE TICKET THAT EXPLODED, p.48.

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Your summons < -- omitted -- > Melted into air.

from NOVA EXPRESS, p.187.
赤字は修正@2019/03/24)

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In the desert. The driver shrugged. Such people remain in Paris 1961. Mr. Bradly Mr. Martin. That were his shadow. Muttering the time had come for him to forbear. My blood whom I created. You are your.

Cut-ups from THE TICKET THAT EXPLODED, p.123/NOVA EXPRESS, pp.82, 27 & others

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I had a dog his name was Bill < -- omitted -- > -- Tearing his insides apart -- Need a helping hand? --

from THE TICKET THAT EXPLODED, p.45.

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Written on the door pure information. Fuck off Mr. Faubus. Give you identity here. Orgasm knife in the heart. Little lazy light in suburbs without a shadow.

Cut-ups from THE TICKET THAT EXPLODED, pp.65, 66 & others

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You've missed all. Read to by a boy. Five times of dust we made it all. The boatman smiles. Such form went to lead bending in knee. Demo on April is the last selection of the top of pain.   

Cut-ups from THE TICKET THAT EXPLODED, pp.65, 66, 98, 67 & others

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Five times without names, we are not here for fun. We are sensing shifting reality as you know logical tree in the air. 

Cut-ups from THE TICKET THAT EXPLODED, pp.92, 82/NOVA EXPRESS, p.65 & others

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He leads myself to other side of human dreams.

出典不明

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No shelter – a handful of dust falling in a hampering ash tray. Poison, sun, dead and cash be here who moves it. 

Cut-ups from THE TICKET THAT EXPLODED, p.60 & others

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参考:
・INDIANA UNIVERSITY : School of Informatics, Computing, and Engineering > People > R > Luis M Rocha > Luis Rocha's Cybercorner > Santosh Manicka and Luis Rochai/I485/H400 : Biologically Inspired Computing > lab 1: measuring (uncertainty-based) information / the exercises / 2. Calculate letter-entropy of a piece of text > Full text of "W.S. Burroughs" The Ticket That Exploded(Last Modified: January 27, 2015)
https://www.informatics.indiana.edu/rocha/academics/i-bic/lab1/TheTicketThatExploded.txt

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若干生真面目すぎるところはあるが、なかなかいい前衛Dubだ。Rhythmがゆったりした正統派Reggaeになっている。Melodicaが効果的。

何箇所かで歌い出すBurroughsも貴重だw。

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2019年1月23日水曜日 BURROUGHS WITH MUSIC (89) Dub Spencer & Trance Hill/WILLIAM S. BURROUGHS IN DUB-その12
2019年1月26日土曜日 BURROUGHS WITH MUSIC (90) Dub Spencer & Trance Hill/RIDING STRANGE HORSES

で紹介した通り、

The Saints Go Marching through All the Popular Tunesは、

Dub Spencer & Trance Hill/RIDING STRANGE HORSES [Echo Beach] release 2010
Dub Spencer & Trance Hill/WILLIAM S. BURROUGHS IN DUB [Echo Beach] release 2014

でも似たような形で取り上げられている。そっちはかなりRock的で凝った仕上げになっていたが、Dubblestandartの方は伝統的なRaggae Dubですね。

初出の発表は、2つとも同じ頃だ。どっちが先なんだろう?

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Dubblestandartの方がオーソドックスな作りなので、こっちの方が先のような気はするが、よくわかりませんね。

もしそうだとしても、狭い欧州Dub業界の仲間だろうし、DS&THが「おれたちもBurroughsやりたいんだけど、いいかな?」、Dubblestandart 「おお、いいよ。やれよ。楽しみだなあ」なんてやり取りがあったかもしれない。

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Dubの世界にBurroughsを持ち込んだpioneerの作品なので、記憶しておきたい。

今後もDubにBurroughsを持ち込む連中は出てくるだろうな。DubとBurroughs朗読の相性がいいのは、このDubblestandartとDS&THでよくわかったよ。発見だった。

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といったところで、Dub Spencer & Trance Hill/WILLIAM S. BURROUGHS IN DUB に戻ろう。あと1回で終わりだが。

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